The
Journey
Ben
Todică
I was on vacation with my two nephews, Tintin and
Dumbrăvioara. He was seven; she was two years younger. We were wandering along
one of the narrow streets of an old neighborhood in Tokyo when we came upon an
eccentric professor who claimed he had discovered teleportation and was testing
his machine, inviting passersby to try it.
Dumbrăvioara slipped inside playfully, and Tintin,
curious and resolute, pressed the activation button. The machine erupted in
light and piercing sounds. When the door opened again, the little girl was
gone. In her place stood a small, vividly colored bird—one of those rare
creatures you encounter only in corners the world has forgotten.
“My Dumbrăvioara,” I cried, cupping her in my palms.
The bird seemed to laugh. Or perhaps I only imagined
it. Then, in a child’s voice, she said:
“Look, Uncle. I can fly.”
She slipped from my hands, beat her wings wildly, and,
lacking experience, fell into the drainage channel along the street. The water
was thick and murky, the color of that in the uranium mines of Ciudanovița.
The current seized her at once.
“Uncle, help me!” she cried, lifting her tiny head
above the surface.
I managed to grab her and pull her out. My palms were
coated in fine sludge, mineral residue. I gently squeezed her like a sponge;
water streamed from her feathers. When I heard her coughing, a dull fear
settled in me. I searched around for something clean to wrap her in.
I handed her to Tintin and moved through the
courtyards of nearby houses. The city felt abandoned. No gates, no fences—only
old dog cages made of galvanized wire, rusted and long forsaken. At the first
house: torn rags. At the second: filth. At the third, however, I found a woven
mat made of cloth strips, rustic, roughly the size of a doormat.
“It will do,” I thought, and picked it up.
When I turned back, Tintin was gone.
I saw him on the far side of the channel. It was no
longer a simple ditch but the bed of a dried river, five meters deep and nearly
ten wide. The only option was to run alongside it, overtake him, and cut him
off.
It was summer; the water had retreated into scattered
pools. I passed him and threw myself into one where a few geese were bathing. I
plunged right foot first and, in a painful slow motion, struck the hard bottom.
An electric shock shot through my leg, from the tip of my big toe to my
abdomen. A violent, blinding cramp seized me, and for a moment I thought I was
losing my mind.
It was six in the morning in Melbourne.
I knew that if I didn’t get up immediately and move
around the house, the pain would not ease. After my usual exercises and a
banana, as my doctor had advised, I sat on the edge of the bed and wondered:
When was this dream written? What inspired it? Did my
brain lead me to that impact simply to wake me? Or, in the instant of the
shock, did it compose the story in reverse and deliver it whole—knowing that a
dream, in truth, lasts only a fraction of a second?
Perhaps this is how, in the near future, a profession
that takes five years to learn will be downloaded into the brain in five
seconds.
Artificial intelligence merely shows us where we stand
and guides us gently toward awakening, so that we do not fall straight into
nonexistence.
The monkey was right. It was already too late to stop
her brother—man—from marching toward tomorrow’s nuclear war. Had she known,
when we parted, she would have slapped us across the mouth, just to force us to
stand still.
Now even the crows laugh at us.
I closed my eyes for a moment. In the silence of the
room, I thought I heard the faint flutter of wings. When I opened them, there
was nothing. Only the unmoving morning, and a body that had once again been
returned to reality.
The monkey was right. Her brother could no longer be
turned from his path. Tomorrow he will press another button, in a far stronger
light—and this time, there will be no awakening.
Translated from Romanian by ChatGPT, with
the author’s approval.

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